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Mary Magdalene — Histoire et analyse

Marie Madeleine peut être reconnue par le flacon de parfum qu'elle tient dans ses mains, avec lequel elle s'occupait des pieds de Jésus après sa conversion au christianisme. Elle est généralement représentée comme une prostituée, faisant référence à son passé présumé. L'influence de la peinture italienne, que Van Scorel a rencontrée lors d'un séjour à Rome et à Venise, est évidente dans ses vêtements.

Plus d'œuvres de Jan van Scorel

Adoration of the Magi by Jan van Scorel, oil on panel, three Magi presenting gifts in a stable.

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Portrait of Joris van Egmond, oil on panel by Jan van Scorel

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Landscape with Bathsheba, oil on panel by Jan van Scorel, depicting a serene landscape and figure.

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Portrait of René de Chalon by Jan van Scorel, oil on panel, featuring a solemn figure in dark fabrics.

Portrait of René de Chalon (c. 1519-1544), Prince of Orange

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Portrait of a man by Jan van Scorel, oil on panel with a trompe-l'oeil inscription.

Haarlem Citizen

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Figurative work depicting a horseman in armor, created by Jan van Scorel, paper medium.

Jager te paard

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Two women on mules in a landscape, paper by Jan van Scorel

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Landscape with Bathsheba, oil on panel by Jan van Scorel, depicting Bathsheba bathing and King David observing.

Landscape with Bathsheba

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Landscape with Tournament and Hunters by Jan van Scorel, oil on panel, featuring a tournament and hunters.

Landscape with Tournament and Hunters

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Religious scene of a father and son, paper by Jan van Scorel

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