Fine Art

Die Abnahme und die Beisetzung — Geschichte & Fakten

Diese beiden Tafeln sind wahrscheinlich Fragmente eines größeren Ensembles, das der Passion Christi gewidmet ist. Der Künstler folgte etablierten Konventionen zur Darstellung von Trauer und Leid durch Gesten. Dieser Ansatz war charakteristisch für den steifen, eher formelhaften Stil, der von griechischen und byzantinischen Modellen abgeleitet war und im 13.

Jahrhundert in Italien vorherrschte.

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Die Ideale Stadt

Die Ideale Stadt

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A knight in full armor rides a horse through a rocky landscape accompanied by a skeletal figure holding an hourglass, a horned creature, and a running dog.

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Shiva Nataraja bronze sculpture by unknown artist in anandatandava pose

Shiva Nataraja

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Dolls’ house of Petronella Oortman, paint, unknown artist

Puppenhaus von Petronella Oortman

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Bronze sculpture of Shiva Nataraja by unknown artist

Shiva Nataraja

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Portrait of Elizabeth I, Queen of England, oil on panel by Unknown Artist

Porträt von Elisabeth I., Königin von England

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Gold folio by Mansur depicting a red-headed vulture and long-billed vulture

„Rotkopfvultur und Langschnabelvultur“, Blatt aus dem Shah Jahan Album

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Ukiyo-e gold by Unknown Artist depicting a serene figure holding a fan.

Die Geschichte von Genji

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Cong, a jade decorative piece by Unknown Artist

Cong

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Ukiyo-e artwork featuring delicate figures and intricate gold patterns by Unknown Artist

Die Geschichte von Genji

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Mehr Kunst von Religiös

A triptych showing a lush garden with nude figures and animals on the left, a vibrant central panel of nude humans and fantastical creatures, and a dark, fiery hellscape with tortured figures on the right.

Der Garten der Lüste

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Father embraces his son in an etching by Rembrandt van Rijn

Die Rückkehr des verlorenen Sohnes

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A young woman in a red dress and blue mantle sits on a rock with two children, one holding a small bird, set against a landscape of hills and trees.

Die Madonna mit dem Distelfink

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Rembrandt's 'The Crucifixion' depicts a dramatic moment in a religious context.

Die Kreuzigung

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Rubens' depiction of Christ on the Cross with Mary, Mary Magdalene, and St John in a moment of profound grief.

Christus am Kreuz mit Maria, Maria Magdalena und Johannes

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A muscular female figure in an orange robe twists her body holding a massive open book above her head, with a young attendant seated behind her.

Libysche Sibylle

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