Self-portrait, Leaning on a Stone Sill — Historia y Análisis
En sus primeros autorretratos, Rembrandt a menudo practica la representación de la luz o las emociones. En contraste, estos últimos son más narrativos, ya que se disfraza con trajes imaginarios (por ejemplo, con una espada oriental) o con vestimenta del siglo XVI. Con esta última variante, se alinea con célebres artistas del siglo XVI, como Lucas van Leyden, Tiziano o Rafael.
Más obras de Rembrandt van Rijn
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The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Rembrandt van Rijn
The Return of the Prodigal Son
Rembrandt van Rijn
The Hundred Guilder Print: the figures leaning on the wall in the centre left
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
Isaac and Rebecca, Known as ‘The Jewish Bride’
Rembrandt van Rijn
The Mill
Rembrandt van Rijn
The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’
Rembrandt van Rijn
The return of the prodigal son
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
The Hundred Guilder Print: the man seen on the back in the lower left corner
Rembrandt van Rijn
Más arte de Retrato
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Las meninas
Diego Velázquez
Self-portrait with a Bandaged Ear and Pipe
Unidentified artist
Girl with a Pearl Earring
Johannes Vermeer
The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’
Rembrandt van Rijn
The Hundred Guilder Print: the man seen on the back in the lower left corner
Rembrandt van Rijn
Portrait of Dr Gachet
Vincent van Gogh