The Triumph of Mordecai — História e Análise
Rembrandt alcançou os tons pretos aveludados nesta gravura com ponta seca, uma técnica que ele nunca havia usado tão extensivamente antes. Vemos o judeu Mardoqueu sentado no cavalo do rei persa Assuero e vestido com as roupas do monarca. Esta foi sua recompensa pelos serviços prestados.
Ele é acompanhado pelo vizir de Assuero, Hamã, que na verdade deseja matar todos os judeus.
Mais obras de Rembrandt van Rijn
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The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Rembrandt van Rijn
The Return of the Prodigal Son
Rembrandt van Rijn
The Hundred Guilder Print: the figures leaning on the wall in the centre left
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
Isaac and Rebecca, Known as ‘The Jewish Bride’
Rembrandt van Rijn
The Mill
Rembrandt van Rijn
The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’
Rembrandt van Rijn
The return of the prodigal son
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
The Hundred Guilder Print: the man seen on the back in the lower left corner
Rembrandt van Rijn
Mais arte de Pintura Histórica
Ver tudo →The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Rembrandt van Rijn
Lincoln Memorial
Henry Bacon
The Third of May 1808
Francisco de Goya
Isaac and Rebecca, Known as ‘The Jewish Bride’
Rembrandt van Rijn
The Charge of the Mamelukes (1814)
Francisco de Goya
De vier ruiters van de apocalyps
Albrecht Dürer