Saint Jerome Reading in an Italianate Landscape — Historia y Análisis
El formato vertical y el barrido diagonal de esta aguafuerte se derivan de Tiziano. Rembrandt subrayó la disposición diagonal de la representación alternando pasajes de luz y sombra. Dejó el primer plano deliberadamente inacabado para producir el efecto de una brillante luz solar.
El área sombreada detrás de Jerónimo es una densa red de líneas de punta seca paralelas y entrecruzadas.
Más obras de Rembrandt van Rijn
Ver todo →
The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Rembrandt van Rijn
The Return of the Prodigal Son
Rembrandt van Rijn
The Hundred Guilder Print: the figures leaning on the wall in the centre left
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
Isaac and Rebecca, Known as ‘The Jewish Bride’
Rembrandt van Rijn
The Mill
Rembrandt van Rijn
The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’
Rembrandt van Rijn
The return of the prodigal son
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
The Hundred Guilder Print: the man seen on the back in the lower left corner
Rembrandt van Rijn
Más arte de Arte Religioso
Ver todo →The Return of the Prodigal Son
Rembrandt van Rijn
The Garden of Earthly Delights
El Bosco
Count Orgaz’ funeral
El Greco
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
The Descent from the Cross
Rogier van der Weyden
The return of the prodigal son
Rembrandt van Rijn