Saint Jerome Reading in an Italianate Landscape — History & Facts
The upright format and diagonal sweep of this etching were derived from Titian. Rembrandt underscored the diagonal layout of the depiction by alternating passages of light and shade. He left the foreground deliberately unfinished to produce the effect of bright sunlight.
The shaded area behind Jerome is a dense web of parallel and criss-crossed drypoint lines.
More Artworks by Rembrandt van Rijn
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The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Rembrandt van Rijn
The Return of the Prodigal Son
Rembrandt van Rijn
The Hundred Guilder Print: the figures leaning on the wall in the centre left
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
Isaac and Rebecca, Known as ‘The Jewish Bride’
Rembrandt van Rijn
The Mill
Rembrandt van Rijn
The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’
Rembrandt van Rijn
The return of the prodigal son
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
The Hundred Guilder Print: the man seen on the back in the lower left corner
Rembrandt van Rijn
More Religious Art
Browse all →The Return of the Prodigal Son
Rembrandt van Rijn
The Garden of Earthly Delights
El Bosco
Count Orgaz’ funeral
El Greco
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
The Descent from the Cross
Rogier van der Weyden
The return of the prodigal son
Rembrandt van Rijn