Saint Jerome Reading in an Italianate Landscape — History & Facts
The upright format and diagonal sweep of this etching were derived from Titian. Rembrandt underscored the diagonal layout of the depiction by alternating passages of light and shade. He left the foreground deliberately unfinished to produce the effect of bright sunlight.
The shaded area behind Jerome is a dense web of parallel and criss-crossed drypoint lines.
More Artworks by Rembrandt van Rijn

The Return of the Prodigal Son
Rembrandt van Rijn

The Crucifixion
Rembrandt van Rijn

Rembrandt and Saskia in the Scene of the Prodigal Son
Rembrandt van Rijn

Self-Portrait in a heavy Fur Cap: Bust
Rembrandt van Rijn

Portrait of a Seated Old Woman with Clasped Hands
Rembrandt van Rijn

Portrait of a Young Woman
Rembrandt van Rijn

Portrait of Hendrickje Stoffels
Rembrandt van Rijn

Portrait of Rembrandt
Rembrandt van Rijn

Portrait of the Artist
Rembrandt van Rijn

Portraits of Jean Pellicorne and his Son Casper
Rembrandt van Rijn




