Young Woman in Fantasy Costume — Historia y Análisis
La vestimenta de la joven no se ajusta a la moda de la época de Rembrandt, sino que refleja estilos de siglos anteriores. Las características distintivas de la mujer – una frente abovedada, ojos ligeramente saltones y un mentón pronunciado – son fácilmente reconocibles en las representaciones de diosas y heroínas antiguas que Rembrandt pintó en la década de 1630. Por lo tanto, la pintura no es estrictamente un retrato, sino un 'tronie', o cabeza de fantasía.
Más obras de Rembrandt van Rijn
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The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Rembrandt van Rijn
The Return of the Prodigal Son
Rembrandt van Rijn
The Hundred Guilder Print: the figures leaning on the wall in the centre left
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
Isaac and Rebecca, Known as ‘The Jewish Bride’
Rembrandt van Rijn
The Mill
Rembrandt van Rijn
The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’
Rembrandt van Rijn
The return of the prodigal son
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
The Hundred Guilder Print: the man seen on the back in the lower left corner
Rembrandt van Rijn
Más arte de Retrato
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Las meninas
Diego Velázquez
Self-portrait with a Bandaged Ear and Pipe
Unidentified artist
Girl with a Pearl Earring
Johannes Vermeer
The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’
Rembrandt van Rijn
The Hundred Guilder Print: the man seen on the back in the lower left corner
Rembrandt van Rijn
Portrait of Dr Gachet
Vincent van Gogh