Fine Art

The Fall of Man — História e Análise

No fundo à esquerda, vemos Deus (uma nuvem com um rosto e mãos humanas) advertindo Adão e Eva. Eles podem comer o fruto de todas as árvores, exceto da árvore do 'conhecimento do bem e do mal'. Tentados pela serpente (com um torso humano), Adão e Eva, no entanto, comem o fruto proibido, pelo qual foram expulsos do Paraíso.

Mais obras de Cornelis Cornelisz. van Haarlem

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Portrait of a man in thought, oil on panel by Cornelis Cornelisz. van Haarlem

Dirck Volkertsz Coornhert (1522-90). Writer and Engraver

Cornelis Cornelisz. van Haarlem

Portrait of a young man with a laurel crown, oil on panel by Cornelis Cornelisz. van Haarlem

A Young Man with a Crown of Laurel Leaves

Cornelis Cornelisz. van Haarlem

The Massacre of the Innocents, oil painting by Cornelis Cornelisz. van Haarlem depicting a violent scene.

The Massacre of the Innocents

Cornelis Cornelisz. van Haarlem

Bathsheba at her Toilet, oil painting by Cornelis Cornelisz. van Haarlem depicting three nude women outdoors

Bathsheba at her Toilet

Cornelis Cornelisz. van Haarlem

Mais arte de Arte Religiosa

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Father embraces his son in an etching by Rembrandt van Rijn

The Return of the Prodigal Son

Rembrandt van Rijn

The Garden of Earthly Delights, oil painting by El Bosco, depicting paradise, nude figures, and hell.

The Garden of Earthly Delights

El Bosco

Count Orgaz' funeral by El Greco, oil on canvas showing a solemn ceremony with heavenly vision.

Count Orgaz’ funeral

El Greco

Etching by Rembrandt van Rijn depicting Christ preaching to a crowd.

The Hundred Guilder Print: the central piece with Christ preaching, the plate arched

Rembrandt van Rijn

The Descent from the Cross, wood by Rogier van der Weyden, showing Christ's body being taken down.

The Descent from the Cross

Rogier van der Weyden

Etching by Rembrandt van Rijn depicting a father and son in an emotional embrace.

The return of the prodigal son

Rembrandt van Rijn