Self-portrait in a Flat Cap — História e Análise
Nos seus primeiros autorretratos, Rembrandt frequentemente pratica a representação da luz ou das emoções. Em contraste, estes últimos são mais narrativos, pois ele se veste com trajes imaginários (por exemplo, completo com uma espada oriental) ou com vestimentas do século XVI. Com esta última variante, ele se alinha a célebres artistas do século XVI, como Lucas van Leyden, Ticiano ou Rafael.
Mais obras de Rembrandt van Rijn
Ver tudo →
The Night Watch Militia Company of District II under the Command of Captain Frans Banninck Cocq
Rembrandt van Rijn
The Return of the Prodigal Son
Rembrandt van Rijn
The Hundred Guilder Print: the figures leaning on the wall in the centre left
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
Isaac and Rebecca, Known as ‘The Jewish Bride’
Rembrandt van Rijn
The Mill
Rembrandt van Rijn
The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’
Rembrandt van Rijn
The return of the prodigal son
Rembrandt van Rijn
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
The Hundred Guilder Print: the man seen on the back in the lower left corner
Rembrandt van Rijn
Mais arte de Retrato
Ver tudo →
Las meninas
Diego Velázquez
Self-portrait with a Bandaged Ear and Pipe
Unidentified artist
Girl with a Pearl Earring
Johannes Vermeer
The Sampling Officials of the Amsterdam Drapers’ Guild, Known as ‘The Syndics’
Rembrandt van Rijn
The Hundred Guilder Print: the man seen on the back in the lower left corner
Rembrandt van Rijn
Portrait of Dr Gachet
Vincent van Gogh