A pale, misty expanse fills the canvas, where a horizontal band of blue-grey paint suggests the outline of a bridge stretching across the lower third of the composition. Soft, swirling touches of pink and rose drift through the upper left and right, their curling shapes evoking the movement of clouds or the reflection of city lights in the fog. The water below the bridge is rendered with broad, horizontal strokes of blue and lavender, broken by vertical streaks that echo the bridge’s supports and their shimmering reflections.

Throughout the scene, the paint is applied in loose, almost transparent layers, creating a sense of atmosphere that blurs the boundaries between sky, architecture, and river. Hints of ochre and peach flicker in the upper right, mingling with the cooler tones and adding warmth to the otherwise cool palette. No sharply defined figures or objects appear; instead, the entire surface is animated by the play of light and color, dissolving forms into a unified mist.

Brushstrokes remain visible throughout, some broad and sweeping, others delicate and curling, lending texture and movement to the painted surface. A cluster of swirling pink forms appears near the upper left edge, their shapes curling and looping against the misty background. In the upper right corner, faint peach and yellow strokes arc and twist, suggesting movement above the bridge.

The lower left corner is dominated by a cool, bluish-grey wash, with hints of lavender blending softly into the water. Along the bottom edge, vertical dashes of blue and lavender descend from the bridge, breaking into the water below. The uppermost edge of the painting is tinged with a pale yellow haze, especially toward the left side.

Near the right edge, a blurred vertical form rises, its outline softened by layers of grey and blue pigment. Throughout the background, delicate streaks of white and pale blue create a shimmering effect, enhancing the sense of diffused light.