A winding ochre path cuts through the lower portion of the scene, leading the viewer’s gaze upwards toward a hillside. The track is flanked on both sides by dense, loosely rendered trees and foliage, their forms built from overlapping patches of deep green, blue, and brown. To the left, the vegetation appears especially thick, with dark brushstrokes merging into a mass that partially obscures the view beyond.

On the right, a few tree trunks and branches are visible, their angular lines intersecting with the surrounding greenery. Above the path, a cluster of ochre and reddish-roofed buildings sits nestled on the slope, their geometric shapes emerging from the landscape. These structures are scattered rather than tightly grouped, their walls and roofs constructed from broad, textured brushstrokes.

The hillside behind them rises gently, covered in bands of green and ochre, suggesting cultivated land or grassy terraces. The sky fills the upper third of the canvas, rendered with a mosaic of blue, gray, and white strokes that evoke shifting clouds and changing light. Throughout the composition, the brushwork is distinctly visible, with short, blocky strokes that build up both form and atmosphere.

The color palette is dominated by earthy greens and ochres, punctuated by the cooler blues and grays of the sky and shadowed areas. In the lower right corner, the edge of the path is bordered by angular, dark tree trunks that lean inward, their branches extending diagonally across the greenery. The upper left and right corners of the painting are filled with loosely defined foliage and sky, where the brushwork becomes more fragmented and the forms dissolve into patches of blue, green, and gray.

Light falls most strongly on the ochre path and the rooftops, creating a subtle contrast with the shadowed greenery and the darker, more muted areas beneath the trees. Thin, vertical lines suggest the presence of distant cypress trees along the horizon, their dark shapes punctuating the lighter bands of the hillside and sky.