Christ’s Descent into Limbo — History & Facts
These three groups, from a large Crucifixion altar, reveal how colourful most Gothic sculpture originally was. During a recent restoration, small slivers of glass were found in the old pigment; this would have added to the glittering impression of the whole. Research of the oak shows that the sculptures were carved after c.
1420, the felling date of the tree.
More Artworks by Unknown Artist
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Ridder, Dood en Duivel
Unknown Artist
Shiva Nataraja
Unknown Artist
Portrait of Elizabeth I, Queen of England
Unknown Artist
Dolls’ house of Petronella Oortman
Unknown Artist
Shiva Nataraja
Unknown Artist
The Tale of Genji
Unknown Artist
The Tale of Genji
Unknown Artist
Cong
Unknown Artist
The bodhisattva Maitreya
Unknown Artist
Teabowl with a 'hare's fur' glaze
Unknown Artist
More Religious Art
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The Return of the Prodigal Son
Rembrandt van Rijn
The Garden of Earthly Delights
El Bosco
Count Orgaz’ funeral
El Greco
The Hundred Guilder Print: the central piece with Christ preaching, the plate arched
Rembrandt van Rijn
The Descent from the Cross
Rogier van der Weyden
The return of the prodigal son
Rembrandt van Rijn