In Edna Smith in a Japanese Wrap, Robert Henri captures a young woman draped in a vibrant Japanese garment. The colors are rich, with deep reds and soft blues that contrast beautifully against her skin tone. Edna's expression is serene, and her posture is relaxed, suggesting a moment of quiet contemplation.

The background is softly blurred, focusing attention on her and the intricate details of her wrap. Henri employs oil on canvas to create this portrait, which measures approximately 76 x 61 cm. The brushwork is loose yet deliberate, allowing for both texture and fluidity in the fabric of the wrap. The play of light on Edna's face highlights her features, adding depth to the composition.

The overall effect is one of intimacy, drawing the viewer into her world. Robert Henri was a leading figure in the Ashcan School, known for his focus on everyday subjects and realistic portrayals. This painting of Edna Smith showcases his interest in cultural diversity, as he often explored themes of identity and modern life. Interestingly, Henri painted this work during a time when Japanese art was gaining popularity in the West, reflecting a broader fascination with Eastern aesthetics.

Edna Smith was a frequent model for Henri, and this portrait exemplifies their collaborative relationship.