In Nature morte aux pommes, sur fond de tenture rayée, Paul Sérusier presents a still life featuring apples. The vibrant reds and greens of the apples contrast with the muted tones of the striped background. The stripes create a dynamic visual rhythm that draws the viewer's eye.

The overall composition is simple yet striking, emphasizing the beauty of the fruit. This painting is executed in oil on canvas, a common medium for still life works of this period. The brushwork is loose, typical of the Post-Impressionist style, allowing for a sense of movement and spontaneity. The colors are applied in a way that enhances the natural forms of the apples, creating depth and dimension.

The striped background adds a layer of complexity to the composition. Paul Sérusier was a key figure in the Nabis movement, which sought to express emotional and spiritual experiences through art. This work reflects his interest in color and form, moving away from realism towards a more symbolic representation. An interesting fact about this painting is that it showcases Sérusier's exploration of everyday objects, elevating them to the status of art.

The piece is a testament to the evolving nature of still life in the late 19th century.