A group of four figures gathers in the foreground, seated and standing around baskets brimming with green melons. The central figure, a woman in a yellow blouse and blue skirt, holds a knife and a half-cut melon, her gaze intent on the fruit she is preparing. To her left, a man in a red sash and blue trousers leans forward, elbows on his knees, watching closely as she works.

On her right, another man, dressed in a white shirt and red-striped trousers, sits with a melon in his hands, examining it as if considering a purchase or sale. Behind them, a standing figure in a white shirt and red shawl rests one hand on his hip and observes the scene, his face shaded by a wide-brimmed hat. The group sits on whitewashed benches and low walls, some decorated with blue and white tiles, which add a cool note to the warm palette of ochres and golds.

To the left, a small basin holds dishes and a jug, while a pulley and bucket hang from the wall above, suggesting a rural courtyard setting. Behind the group, vines climb a wooden trellis, casting dappled shadows on the white wall and creating a leafy canopy overhead. Bright daylight floods the courtyard, illuminating the faces and clothing of the figures and highlighting the textures of woven baskets, ceramic tiles, and rough plaster walls.

The colours are vivid and sunlit, with strong contrasts between the reds, yellows, and blues of the costumes and the cool greens of the melons and foliage. Joaquín Sorolla arranges the composition in a shallow, frieze-like band, with the main figures forming a lively diagonal across the foreground. Loose, energetic brushstrokes capture the play of light and the tactile quality of surfaces, from the glistening melons to the crisp folds of cloth.