A brilliant blue robe envelops Mary as she cradles the Christ Child on her lap, seated at the left beneath the shelter of a rustic wooden stable. The infant reaches out his hand toward the eldest of the Magi, who kneels in reverence at Mary’s feet, his head bowed and his gift set before him on the ground. Behind the kneeling king, two other Magi press forward: one, dressed in green, presents a golden vessel, while the youngest, in yellow and gold, offers his gift with both hands.

Saint Joseph sits in shadow at the far left, watching quietly over the scene. A white horse stands at the center foreground, its head lowered to the ground, while another horse and several attendants fill the space behind the Magi, crowding under the slanting roof and into the open air. The background opens to a distant landscape of rolling hills and a glowing sky, where golden light breaks through clouds, illuminating the stable and the figures gathered around the Child.

The composition is dense with figures, each rendered with energetic, visible brushwork that gives texture to fabrics, hair, and the rough wood of the stable. Two male attendants in brown and orange garments stand just behind the white horse, one holding its reins and the other looking toward the stable. In the upper right corner, a man in white sits astride a pale horse, turning to talk to a figure in a turban who gestures with his hand.

The sky is streaked with blue and gold, with thick, visible brushstrokes suggesting clouds and a shaft of light descending from above. At the far left edge, a dark figure is barely visible in the shadows, rendered with loose, sketchy lines and indistinct features. The subject is the adoration of the Magi, with the Biblical Magi, Christ Child, Mary, and Saint Joseph all present, as well as horses and attendants. The painting is associated with the Venetian school, known for its rich color and expressive handling of paint.