In Bedouin Grayhound of Akkaba, the viewer is presented with a striking depiction of a grayhound resting in a sandy desert landscape. The colors are predominantly warm, with shades of tan and beige dominating the scene. The dog is portrayed with a sense of grace, its sleek body contrasting with the rugged terrain.

A few sparse plants dot the background, hinting at the harsh environment of Akkaba. The painting is executed in oil on canvas, showcasing Charles Hamilton Smith's attention to detail and realistic representation of the animal. The texture of the dog's fur is rendered meticulously, highlighting the artist's skill in capturing the essence of the grayhound. The composition balances the figure of the dog with the expansive desert, creating a harmonious relationship between the subject and its setting.

The approximate dimensions of the work are 60 x 80 cm. Charles Hamilton Smith was known for his interest in natural history and animals, which is evident in this work. Bedouin Grayhound of Akkaba reflects his fascination with the Bedouin culture and their relationship with animals. An interesting fact about this painting is that it was likely created during a time when Smith was traveling in the Middle East, allowing him to observe and depict the local fauna and landscapes.

This work exemplifies the Orientalist movement, which sought to capture the exoticism of Eastern cultures.