A large pine tree rises at the left edge of the composition, its trunk painted in broad, vertical strokes of ochre and green. Across the upper half of the scene, thick branches stretch horizontally, their needles rendered with rapid, expressive brushwork that breaks the sky into patches of blue, grey, and green. Beneath these branches, the pale, undulating form of a mountain dominates the distance, its slopes described with loose, overlapping washes of blue, violet, and ochre.

The foreground is a patchwork of fields and vegetation, where blocks of yellow and green suggest cultivated land and clusters of trees. A small ochre building nestles among the greenery at the lower left, partly obscured by the pine and surrounded by shadowy foliage. The composition is structured by the strong diagonal of the mountain and the framing arcs of the pine branches, which guide the gaze across the landscape.

Brushstrokes remain visible throughout, varying from fluid washes in the sky and mountain to denser, almost sculptural marks in the trees and foreground. The palette is dominated by cool greens and blues, balanced by touches of warm yellow and ochre that catch the sunlight on the fields and tree trunks. No human figures are present, and the landscape feels expansive and open, with the distant mountain rising serenely beyond the cultivated valley.

In the lower right corner, a patch of bright yellow-green grass is bordered by angular, darker green brushstrokes that suggest hedges or field boundaries. Near the bottom edge, short, broken lines of deep blue and green indicate shadowed vegetation clustered along the field margins. The sky is streaked with pale washes of blue and grey, and soft, swirling clouds are visible above the mountain’s peak.

At the far right edge, the pine branches taper off into thin, black lines, contrasting with the lighter sky behind them. A faint, horizontal band of bluish-grey at the horizon marks the distant foothills, separating the mountain from the fields below. Light falls unevenly across the landscape, illuminating the central fields with golden tones while leaving the lower left and upper right corners in cooler, muted shades. Paul Cézanne is the artist responsible for this work.