In La Nanna (Sunny Hours), Frederic Leighton presents a serene figure, a young woman, bathed in warm sunlight. The colors are soft and inviting, with a palette dominated by golden yellows and gentle greens. The setting appears to be a tranquil garden, filled with lush foliage that enhances the peaceful atmosphere.

The figure's relaxed pose suggests a moment of quiet reflection amidst nature. The painting is executed in oil on canvas, showcasing Leighton's skill in capturing light and texture. The brushwork is delicate, allowing for a smooth transition between the light and shadow on the figure's skin. The details in the woman's flowing garments and the surrounding flora are rendered with precision, adding depth to the composition.

This attention to detail is characteristic of Leighton's Victorian style. Frederic Leighton was a prominent figure in the Victorian art scene, known for his classical themes and mastery of color. La Nanna (Sunny Hours) reflects his interest in the female form and the beauty of nature. An interesting fact about this work is that it was painted during a time when Leighton was heavily influenced by the Pre-Raphaelite movement, which emphasized a return to nature and detailed realism.

This influence is evident in the painting's vibrant colors and intricate details.