A broad mountain rises in the distance, its pale slopes streaked with lavender, blue, and touches of rose, dominating the upper half of the composition. The land below the mountain stretches out in a patchwork of fields and scattered buildings, painted in soft greens, yellows, and ochres that suggest cultivated farmland. A tall, curving pine tree stands at the left edge, its dark green foliage rendered with thick, rounded brushstrokes that contrast with the lighter, more diffuse marks of the background.

Clusters of trees and shrubs fill the lower foreground, their leaves and branches built from dabs and swathes of green, blue, and yellow pigment, creating a sense of dense vegetation. A low ochre wall runs along the bottom edge, its angular form anchoring the scene and separating the viewer from the landscape beyond. The sky above the mountain is a luminous blue, subtly shifting in tone and streaked with wisps of white, suggesting a clear, sunlit day.

The light in the scene is even and soft, with no sharp shadows, bathing the landscape in a gentle, atmospheric glow. Brushstrokes remain visible throughout, especially in the foliage and mountain, where short, parallel marks and patches of color build up the forms and textures. The composition balances the strong vertical of the pine on the left with the horizontal sweep of the mountain and fields, guiding the gaze across the whole vista.

Small details, such as the distant viaduct at the right and the scattered red roofs among the fields, add rhythm and depth to the scene. The painting’s palette is dominated by cool blues and greens, punctuated by warmer yellows and ochres, creating a harmonious effect. The artist applies paint in a way that leaves the surface lively and textured, with visible layering and blending of colors.