The artwork titled Nude studies of the Canon of Cracow, Piotr Wysz, and Jagiełło, and studies of hands of Jaśko of Tęczyn for the painting ‘Queen Jadwiga’s Oath’ by Józef Simmler features a series of nude studies. The figures are depicted in various poses, showcasing the human form with anatomical precision. The background is minimal, focusing the viewer's attention on the figures and their details.

The use of ink creates sharp contrasts, emphasizing the contours and shapes of the bodies. This piece is executed in ink on paper, a medium that allows for fine detail and clarity. The dimensions are approximately 25 x 35 cm, making it a relatively small work. The studies are likely preparatory sketches for a larger painting, showcasing Simmler's skill in capturing the human anatomy.

The lines are fluid and dynamic, suggesting movement and life within the static medium. Józef Simmler was a Polish artist known for his academic approach to figure drawing and painting. This particular work is interesting as it serves as a preparatory study for the larger historical painting ‘Queen Jadwiga’s Oath’. It reflects the artist's dedication to understanding the human form, which was essential for his historical narratives.

Simmler's focus on anatomical accuracy highlights the importance of the human figure in 19th-century academic art.