A cluster of roses, some pale cream and others flushed with pink and red, fills the center of the composition, their full heads pressed closely together above a rounded green vase. The bouquet sits on a brownish surface, with a few fallen petals and leaves scattered nearby, suggesting the freshness and fragility of the flowers. The roses are painted with thick, swirling brushstrokes, giving the petals a sense of movement and lush texture, while the leaves and stems are rendered in deep greens with quick, loose marks.

Light falls softly from the left, illuminating the upper petals and casting gentle shadows below, creating subtle contrasts that model the forms without harsh outlines. The background is a hazy blend of ochre and green, with indistinct shapes and brushwork that keep the focus on the flowers and suggest an interior setting without describing it in detail. Near the lower left, the artist’s signature, 'Renoir,' appears in dark paint, anchoring the work to its maker.

The composition is tightly framed, with the bouquet nearly touching the edges of the canvas, heightening the immediacy and intimacy of the scene. The paint is applied in visible, textured strokes, especially in the petals, where the impasto catches the light and adds depth to the surface. The vase itself is a simple, rounded form, painted in shades of green with highlights that suggest its glossy surface and the play of light across its curves.

A few leaves and petals are painted with quick, almost calligraphic marks, reinforcing the sense of spontaneity and freshness. The color palette is dominated by earthy reds, creamy whites, deep greens, and muted browns, creating a harmonious and balanced effect. The brushwork varies from thick and energetic in the flowers to softer and more diffuse in the background, drawing attention to the central bouquet.