In Studies of nude males to the painting ‘Martyrdom of St. Josaphat Kuntsevych’, the viewer is presented with a series of male figures in various poses. The colors are muted, focusing on skin tones and subtle shadows that highlight the anatomical details.

Each figure is rendered with a sense of realism, emphasizing the human form's complexity. The setting appears to be a studio environment, where the artist has meticulously studied his subjects. The painting showcases the artist's skill in rendering the human body, with attention to muscle structure and proportion. The use of light and shadow creates depth, enhancing the three-dimensionality of the figures.

Viewers can observe the careful brushwork that defines the contours and textures of the skin. This work serves as a preparatory study for a larger composition, indicating the artist's methodical approach to his craft. Józef Simmler was known for his academic training and focus on the human figure, which is evident in this work. This study was likely created as a preparatory piece for his larger painting, Martyrdom of St.

Josaphat Kuntsevych, showcasing his dedication to anatomical accuracy. An interesting fact about this work is that it reflects the 19th-century interest in the study of the human form, which was essential for artists of that era. Simmler's attention to detail and form made him a notable figure in the academic art scene.