The Carpenter Hanshichi of Fukagawa Seizes His Daughter’s Attacker — History & Facts
In The Carpenter Hanshichi of Fukagawa Seizes His Daughter’s Attacker, we see a dramatic confrontation. The colors are bold, with deep reds and blacks dominating the scene. The figures are expressive, capturing the intensity of the moment.
The setting appears to be a traditional Japanese street, enhancing the cultural context of the artwork. This artwork is a woodblock print, a popular medium in the Ukiyo-e style. The details are finely rendered, showcasing Yoshitoshi's skill in depicting human emotions and movement. The composition is dynamic, drawing the viewer's eye to the central conflict.
The print reflects the narrative style typical of Yoshitoshi's works. Tsukioka Yoshitoshi was a prominent figure in the Ukiyo-e movement during the late Edo and early Meiji periods. This work reflects his interest in dramatic narratives and the complexities of human relationships. An interesting fact about this print is that it is part of a series that explores themes of justice and retribution.
Yoshitoshi's ability to convey emotion through his art has made him a celebrated artist in Japanese history.
More Artworks by Tsukioka Yoshitoshi

Frost fills the air and the autumn air is still/lines of returning geese cross the moon in the third hour-Kenshin, from the series Twelve Aspects of the Moon
Tsukioka Yoshitoshi

Fukami Jikyu in maanlicht
Tsukioka Yoshitoshi

Looking Shy; The Manners of a Young Girl of the Meiji Era
Tsukioka Yoshitoshi

The Lonely House on Adachi Moor in Northern Japan
Tsukioka Yoshitoshi

Inaba Mountain moon (Inabayama no tsuki)
Tsukioka Yoshitoshi

Omori Hikoshichi
Tsukioka Yoshitoshi

One Hundred Aspects of the Moon
Tsukioka Yoshitoshi

The Saga Incident
Tsukioka Yoshitoshi

Bon Festival Moon (Bon no tsuki)
Tsukioka Yoshitoshi

Preparing to Take a Stroll; The Wife of a Nobleman of the Meiji Period
Tsukioka Yoshitoshi






