In The Great Conference on the Conquest of Korea, vibrant colors dominate the scene, with deep reds and blues contrasting against softer hues. The painting features a gathering of figures, dressed in traditional attire, engaged in serious discussion. The setting is likely a formal meeting room, with elements that suggest authority and power.

The composition is dynamic, drawing the viewer's eye across the various characters and their interactions. This artwork is a woodblock print, a traditional Japanese technique that allows for intricate details and vibrant colors. The use of line and pattern is characteristic of Ukiyo-e, enhancing the visual storytelling. The figures are depicted with a level of realism that reflects Yoshitoshi's skill in capturing human emotion and expression.

The print likely showcases Yoshitoshi's mastery of the medium, making it a notable work in his oeuvre. Tsukioka Yoshitoshi was a prominent figure in the Ukiyo-e movement, known for his innovative approach to traditional woodblock printing. The Great Conference on the Conquest of Korea reflects the political climate of Japan during the late 19th century, a time of expansion and modernization. Interestingly, Yoshitoshi often incorporated historical themes into his works, blending art with commentary on contemporary issues.

This piece stands out as a representation of his ability to merge narrative with artistic technique.