A young woman stands at three-quarter length, turned slightly to her left, with her gaze directed outward toward the viewer. She wears a vivid green robe trimmed with a border of jewels, which catches the light and creates a sense of luxury and richness. Beneath the robe, a white dress with long, voluminous sleeves and a gold-edged neckline is visible, the fabric rendered with soft, flowing brushstrokes that suggest its texture and weight.

The background is a muted, dark brown, which recedes behind the figure and sets off the luminous quality of her skin and garments. Light falls from the left, illuminating her face and upper body, and casting subtle shadows that model her features and the folds of her clothing. The brushwork is smooth and controlled, especially in the rendering of the face and hands, while the textures of the fabrics are suggested by more visible, layered strokes.

The composition is balanced, with the figure occupying most of the canvas and the apple serving as a focal point at the center of her gesture. Woman Holding an Apple was painted by Titian around 1555 and is considered a portrait, though the identity of the sitter remains unknown. The painting belongs to the Venetian school, a movement known for its rich color and emphasis on light, qualities that are evident in the glowing surfaces and vibrant hues of this work. The subject is described as an unidentified woman, and the work has also been known as Portrait of a Lady.

According to the National Gallery of Art, the painting forms part of the Samuel H. Kress Collection. In the past, the sitter was tentatively identified as Giulia di Gonzaga-Colonna, but this attribution is no longer accepted.