A Horrible Suicide; A Woman Slays Her Child then Kills Herself — History & Facts
In A Horrible Suicide; A Woman Slays Her Child then Kills Herself, the scene is dark and somber. The colors are muted, with shades of gray and deep reds dominating the composition. The figures of the mother and child are depicted with intense emotion, capturing the tragedy of the moment.
The setting is minimal, focusing the viewer's attention on the figures and their despair. This artwork is a woodblock print, a traditional Japanese technique known as Ukiyo-e. The details are finely rendered, showcasing Yoshitoshi's skill in capturing human emotion and expression. The use of line and color enhances the dramatic impact of the scene.
Viewers can observe the intricate patterns and textures that are characteristic of Yoshitoshi's work. Tsukioka Yoshitoshi was a prominent figure in the Ukiyo-e movement during the late Edo and early Meiji periods. This particular work reflects the artist's fascination with themes of tragedy and the human condition. Interestingly, Yoshitoshi often drew inspiration from historical events and folklore, making this piece a blend of personal and cultural narratives.
His works remain influential in the realm of Japanese art and continue to be studied for their emotional depth.
More Artworks by Tsukioka Yoshitoshi

Frost fills the air and the autumn air is still/lines of returning geese cross the moon in the third hour-Kenshin, from the series Twelve Aspects of the Moon
Tsukioka Yoshitoshi

Fukami Jikyu in maanlicht
Tsukioka Yoshitoshi

Looking Shy; The Manners of a Young Girl of the Meiji Era
Tsukioka Yoshitoshi

The Lonely House on Adachi Moor in Northern Japan
Tsukioka Yoshitoshi

Inaba Mountain moon (Inabayama no tsuki)
Tsukioka Yoshitoshi

Omori Hikoshichi
Tsukioka Yoshitoshi

One Hundred Aspects of the Moon
Tsukioka Yoshitoshi

The Saga Incident
Tsukioka Yoshitoshi

Bon Festival Moon (Bon no tsuki)
Tsukioka Yoshitoshi

Preparing to Take a Stroll; The Wife of a Nobleman of the Meiji Period
Tsukioka Yoshitoshi






