Ault and Wiborg, Ad. 088 — History & Facts
In Ault and Wiborg, Ad. 088, vibrant colors dominate the scene, with a striking use of reds, yellows, and greens. The central figure is a woman dressed in a flowing gown, embodying the spirit of the Art Nouveau movement.
She is surrounded by decorative elements that enhance the composition, creating a sense of movement and fluidity. The overall effect is lively and eye-catching, typical of Chéret's style. This work is a lithograph, a medium that allows for rich color layering and fine detail. The dimensions are approximately 60 x 90 cm, making it a sizable piece that draws attention.
The poster format is characteristic of Chéret's work, which often aimed to capture the public's interest. The intricate design and bold colors exemplify the decorative art style of the late 19th century. Jules Chéret was a prominent figure in the Art Nouveau movement, known for his innovative poster designs. Ault and Wiborg, Ad.
088 reflects his ability to combine art with commercial advertising, making it a significant work in both art and marketing history. An interesting fact about this piece is that it was created during a time when posters were becoming a popular medium for public communication. Chéret's work helped elevate the status of posters to an art form in its own right.
More Artworks by Jules Chéret

Portrait of a Lady
Jules Chéret

Portrait of Louis Vauxcelles
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Palais de glace Champs-Élysées
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Papier à Cigarettes Job Hors Concours Coulisses de l’Opéra au Musée Grévin Spécimens d’affiches de l’Imprimerie Chaix
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Aux filles du calvaire. Costume 49 f, enfant 6 f 90, visite 39 f. Exposition des nouveautés d’été
Jules Chéret

Tous les soirs à 8h 1,2 Maquettes animées. Alcazar d’hiver
Jules Chéret

Tous les soirs à 9 heures, Musée Grévin. Au Dahomey. Ombres de Louis Morin, musique de Gaston Paulin
Jules Chéret

Cacao Lhara. F. Mugnier. Distillateur à Dijon. Médaille d’or exposition universelle de
Jules Chéret

Reclamebiljet voor Le Figaro
Jules Chéret

Carnaval 1896. Grand Veglione De Gala
Jules Chéret






