Her profile fills the left half of the canvas, with the flower positioned just before her face, its petals rendered in swirling strokes of yellow and orange. Loose, expressive brushwork defines her features and the contours of her bare shoulder, while her hair is swept back, revealing a single lock curling near her cheek. Hints of pink and green are visible in her skin and the background, blending seamlessly with the creamy tones of the canvas.

The background dissolves into a haze of soft greens, ochres, and muted reds, suggesting foliage without describing it in detail, and leaving the setting ambiguous. Light falls from the upper left, illuminating the woman's face and the rose, and casting the rest of the scene in a gentle, diffused glow. The paint is applied in loose, visible strokes, especially in the flower and background, creating a sense of movement and atmosphere.

The composition is intimate and closely cropped, focusing entirely on the interaction between the woman and the rose. Small details, such as the subtle red marks on her sleeve and the greenish shadows around her hand, add depth and texture to the scene. In the lower right corner, the artist’s signature, 'Renoir,' appears in dark, fluid script.

No secondary figures are present in the composition; the woman is depicted alone against an abstract background. The upper right and lower left corners of the canvas are filled with loose, vertical strokes in muted greens and pinks, echoing the palette of the background. The edges of the woman’s form blur softly into the surrounding space, with no hard outlines separating her from the background.

Light catches the top of her knuckles and the tip of her nose, leaving the underside of her chin and the back of her hand in shadow. The rose’s stem and leaves are painted with quick, fluid green lines that curve and twist, contrasting with the broader, swirling brushwork of the flower itself. Femme à la rose is the work of Pierre-Auguste Renoir, whose name appears in the title line. The painting’s title identifies the subject as a woman with a rose, directly reflecting the central motif of the composition.