Gamecocks — History & Facts
When Katsushika Hokusai created Gamecocks in 1838, he was already in his late seventies and entering what he called his “old man mad about painting” period. This work stands out as one of his rare, late explorations of animal subjects, a genre he approached with the same restless curiosity that drove his landscapes and waves. The exact medium remains uncertain, adding a layer of intrigue: is it a painting, a print, or perhaps a delicate drawing? Unlike his famous Thirty-Six Views of Mount Fuji, Gamecocks is not part of a series, but a singular, standalone vision. The scene captures two roosters in a moment of poised confrontation, feathers bristling and claws extended, their bodies tensed for the clash.
Hokusai freezes them at the instant before action, a tension heightened by the precise rendering of each plume and the sharp, alert eyes. In Japanese culture, gamecocks symbolize both valor and the fleeting nature of life—a theme Hokusai often returned to. The composition’s dynamic diagonals and compressed space recall the energy found in Utagawa Kuniyoshi’s animal prints, yet Hokusai’s touch is more lyrical, focusing on the psychological interplay between the birds rather than spectacle.
The absence of background detail draws the eye to the drama of the encounter, making every feather and gesture count. Little is known about the early history of Gamecocks, and it is not clear whether it was created for a particular patron or as a personal study. Works from Hokusai’s final decade are often scattered, sometimes surfacing in private collections or museums with scant documentation. Today, Gamecocks is recognized as a testament to Hokusai’s versatility and his fascination with the natural world, even in the twilight of his career.
Its survival, despite the fragility of its medium and the uncertainties of provenance, marks it as a rare glimpse into the artist’s late-life experimentation. The painting now resides in an online gallery, allowing a global audience to appreciate a side of Hokusai that is less known but equally compelling.
More Artworks by Katsushika Hokusai

The Great Wave off Kanagawa
Katsushika Hokusai

Fine Wind, Clear Morning (Red Fuji)
Katsushika Hokusai

South Wind, Clear Dawn
Katsushika Hokusai

Rainstorm Beneath the Summit
Katsushika Hokusai

Clear Weather with a Southerly Wind
Katsushika Hokusai

Kōshū kajikazawa
Katsushika Hokusai

Kōshū kajikazawa 2
Katsushika Hokusai

Inume Pass in Kai Province (Kôshû inume-tôge)
Katsushika Hokusai

Yoro Falls in Mino Province (Mino no Yoro no taki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"
Katsushika Hokusai

Onden no suisha
Katsushika Hokusai






