A wide green meadow stretches across the foreground, its surface flecked with dabs of white and pale yellow that suggest scattered spring blossoms or sunlight on new grass. Tall, slender trees rise in loose clusters from left to right, their trunks painted with vertical strokes of soft ochre, pink, and blue, while their branches are veiled in a delicate haze of early foliage. The trees at the left are spaced apart, their upper branches dissolving into the pale blue sky, while those on the right form a denser thicket with a greater concentration of green and yellow tones.

The sky occupies nearly half the composition, rendered with broad, horizontal sweeps of light blue and touches of white, creating an airy, luminous atmosphere above the landscape. Brushstrokes throughout are loose and visible, building up the surface with short, broken marks that capture the flickering play of light and the freshness of spring growth. The color palette is dominated by soft greens, yellows, and pinks, with subtle transitions between shade and sunlight, evoking the gentle warmth and renewal of the season.

No human figures appear in the scene; instead, the focus remains on the natural rhythms of trees and grass, and the way light animates the landscape. At the lower left, the artist’s signature and the date '90' are visible in red paint, anchoring the work in a specific moment. Hints of lavender and rose appear in the foliage and tree trunks, adding subtle variation to the predominantly green and yellow palette.

The paint is applied in swift, feathery strokes along the upper edges of the trees, producing a shimmering effect against the sky. Spring in Giverny was created by Claude Monet in 1890.