At the center of the composition, two large male figures dominate the scene, one reclining on a rocky outcrop at the left, the other floating on a billowing cloak at the right, surrounded by a cluster of smaller figures. The reclining figure on the left is depicted nude, his left arm outstretched and fingers extended toward the figure on the right, his gaze fixed upward and his body framed by a shadowed, uneven ground. Opposite him, the figure on the right is shown with flowing white hair and beard, draped in a pale garment with a green sash, his right arm extended to meet the other's outstretched hand, the tips of their fingers nearly touching.

Behind the floating figure, a group of smaller, youthful forms cluster within the swirling red drapery, their bodies partially visible as they curve around him, with one childlike figure nestled under his left arm. Architectural elements frame the scene, including painted moldings and ledges, with additional nude youths seated at the corners, each resting on the painted architecture in varied poses. Above and below the central event, rectangular and circular panels contain further figures, some reclining, some twisting, each enclosed within their own painted frames.

The composition is carefully balanced, with the two central figures forming a diagonal axis, their hands nearly meeting at the midpoint of the panel. The color palette includes warm flesh tones, deep reds and greens in the drapery, and cooler grays and blues in the sky and background, with sharp contrasts between light and shadow across the bodies. Brushwork is precise and controlled, with clear outlines and smooth transitions of color, creating a sculptural effect in the modeling of the figures.

Small details, such as the veins and muscles on the nude bodies, the flowing hair, and the expressive faces, are rendered with careful attention.