Ariel – on a bat’s back I do fly, there I couch when owls do cry — History & Facts
In Ariel – on a bat’s back I do fly, there I couch when owls do cry, the viewer is greeted with a vibrant palette of blues and greens. The painting features Ariel, a character from Shakespeare's 'The Tempest', depicted in a whimsical manner. Surrounded by a dreamlike landscape, Ariel is shown in flight, embodying a sense of freedom and playfulness.
The presence of bats and owls adds a mystical quality to the scene, enhancing its otherworldly atmosphere. The painting is executed in oil on canvas, showcasing Rhead's skillful brushwork and attention to detail. The composition is dynamic, with flowing lines that guide the viewer's eye throughout the piece. Rhead employs a rich color scheme, using contrasting hues to create depth and interest.
The dimensions of the artwork are approximately 76 x 102 cm, making it a substantial piece that draws viewers in. Louis Rhead was known for his illustrations and decorative arts, often drawing inspiration from literature. This particular work captures a moment from Shakespeare's play, highlighting Rhead's ability to blend literary themes with visual art. An interesting fact about this painting is that it reflects the Symbolist movement, which sought to express ideas and emotions through symbolic imagery.
Rhead's interpretation of Ariel emphasizes the character's connection to nature and the supernatural.
More Artworks by Louis Rhead

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Tempest, Ariel; Full fathom five thy father lies
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The evolution of church music
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The Quartier Latin. A magazine devoted to the arts
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Two gentlemen of Verona. She beheld her lover serenading the Lady Silvia with music
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Century Magazine – Midsummer Holiday Number
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Much ado about nothing. But are you sure that Benedict loves Beatrice so entirely
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All’s well that ends well. I dare not say, my lord. I take you
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