A man stands at full length, his body turned slightly to the right, dressed in an elaborate dark green coat and breeches richly embroidered with gold. His left hand is extended outward, palm down, while his right hand grasps a long wooden baton at his side. He wears a powdered white wig, and his face is marked by a prominent nose, ruddy cheeks, and a faint, controlled smile.

A blue sash edged in red and white crosses his chest from shoulder to hip, adorned with a golden chain and a large star-shaped medal that glints against the dark velvet of his coat. The man’s waistcoat and cuffs are trimmed with intricate lace, and his shoes are black with large, ornate buckles. A ceremonial sword hangs at his left hip, its hilt and scabbard decorated with gold details.

Behind him, a pale, decorative frieze runs horizontally across the wall, featuring delicate reliefs of winged figures and scrolling foliage. The background is a muted brown, fading to darkness at the edges, which sets off the luminous textures of his clothing and the gleam of his regalia. Light falls from the left, catching the highlights in his wig, the folds of his sleeve, and the metallic threads of his embroidery, while the shadows deepen the creases of his costume and the recesses of the room.

The brushwork is smooth and precise, especially in the rendering of the gold embroidery and the crisp lace, while the face and hands show careful modeling and subtle tonal shifts. The composition centers the figure, giving him a commanding presence and emphasizing the authority of his stance. The period of execution is placed between circa 1786 and circa 1787.