In Et celui qui était monté dessus se nommait la Mort, the viewer is confronted with a dark and moody palette dominated by blacks, deep blues, and muted earth tones. The central figure, representing Death, is depicted riding a skeletal horse, evoking a sense of foreboding. Surrounding this figure are abstract forms that suggest a chaotic and unsettling environment.

The overall composition creates a haunting atmosphere that draws the viewer into its depths. The painting is executed in oil on canvas, a medium that allows for rich texture and depth of color. Redon employs a variety of brush techniques to create a sense of movement and emotion within the piece. The dimensions are approximately 70 x 100 cm, making it a sizable work that commands attention.

The use of light and shadow further enhances the dramatic effect of the scene. Odilon Redon was a prominent figure in the Symbolist movement, known for his dreamlike and often mysterious imagery. Et celui qui était monté dessus se nommait la Mort reflects his fascination with themes of death and the subconscious. An interesting fact about this work is that it was inspired by the artist's own reflections on mortality and the unknown, making it a deeply personal piece.

Redon's unique style continues to influence contemporary artists today.