A powerful female figure in armour dominates the centre of the composition, her right arm raised high as she prepares to strike with a staff or spear. Her helmet gleams beneath the swirling clouds, and her gaze is fixed downward with determination. Below her, a muscular male figure sprawls across the lower part of the canvas, his body twisted and limbs flung outward as he recoils from the impending blow.

A vivid red drapery is gathered beneath the fallen figure, its folds rendered in sweeping, energetic brushstrokes that contrast with the darker shadows around him. The background is filled with dramatic, swirling clouds, painted in muted tones that set off the golden and silvery hues of the armour and the warm flesh tones of the figures. Light falls from the upper left, highlighting the raised arm, the metallic sheen of the breastplate, and the expressive face of the central figure, while casting deep shadows across the lower half of the scene.

The brushwork is vigorous and fluid, especially in the rendering of the drapery and musculature, creating a sense of movement and tension throughout the scene. The lower left corner includes the bare foot and bent leg of the fallen male figure, extending toward the edge of the canvas. The background is painted in smoky greys and browns, with indistinct clouds swirling behind the figures and fading into darkness at the upper right.

Loose, visible brushstrokes in the red drapery contrast with the smoother, more blended treatment of the flesh and armour. Peter Paul Rubens creates this mythological scene between circa 1632 and circa 1634, during the 1630s.