In Nature morte à la cruche et entonnoir, Juan Gris presents a still life composition featuring a pitcher and a funnel. The colors are predominantly muted, with earthy tones of browns, greens, and grays. Geometric shapes dominate the arrangement, creating a sense of depth and structure.

The objects are arranged in a way that emphasizes their forms and the interplay of light and shadow. The painting is executed in oil on canvas, showcasing Gris' characteristic Cubist style. The use of overlapping planes and fragmented forms allows for multiple perspectives within the same composition. The brushwork is precise, highlighting the contours of the objects.

The dimensions are approximately 60 x 80 cm, making it a medium-sized work that invites close inspection. Juan Gris was a key figure in the Cubist movement, known for his innovative approach to still life. This work, created around 1915, reflects his transition towards a more structured and analytical style. An interesting fact about this piece is that it exemplifies Gris' ability to blend traditional still life elements with the modernist principles of Cubism.

His works often reveal a deep appreciation for the interplay of color and form.