In Study of a Madonna looking upward, the figure of the Madonna is depicted with a serene expression, gazing upwards. The colors are soft, with gentle blues and whites dominating the palette, creating a calm atmosphere. The background is likely minimal, focusing the viewer's attention on the Madonna herself.

This simplicity enhances the spiritual quality of the work. The painting is executed in oil on canvas, a common medium for Baroque artists. The brushwork is delicate, highlighting the softness of the Madonna's features and the flowing lines of her garments. The use of light and shadow is evident, adding depth and dimension to the figure.

Viewers can appreciate the meticulous attention to detail in the rendering of her face and hands. Anthony van Dyck was a prominent Flemish Baroque painter known for his portraits and religious works. This particular study showcases his ability to convey emotion and spirituality through simple yet powerful imagery. An interesting fact about this work is that it serves as a preparatory study for larger altarpieces, demonstrating Van Dyck's process and artistic development.