In Thomas Howard, Second Earl Of Arundel, Anthony van Dyck presents a striking portrait of the nobleman. The painting features rich colors, with deep reds and golds dominating the attire of Howard. He is depicted in a three-quarter pose, exuding confidence and authority.

The background is a soft, muted tone that enhances the figure's prominence. The painting is executed in oil on canvas, a common medium for portraits during the Baroque period. Van Dyck's technique showcases his skill in rendering textures, particularly in the fabric of Howard's clothing. The light falls gently on Howard's face, highlighting his features and creating a sense of depth.

The dimensions are approximately 100 x 130 cm, making it a substantial work. Anthony van Dyck was a leading portraitist of the 17th century, known for his ability to capture the personality of his subjects. This portrait of Thomas Howard was commissioned during a time when Howard was a prominent figure in English society. An interesting fact about this work is that it reflects van Dyck's transition from Flanders to England, where he became the principal painter to King Charles I.

The painting exemplifies the Baroque style with its dramatic use of color and light.