A large red-orange rectangle dominates the upper right quadrant, bordered by thick, straight black lines that divide the canvas into a series of geometric compartments. To the left, a pale blue square sits just below the top edge, separated from the red-orange by a horizontal black band. Directly beneath this blue square, a deeper blue vertical rectangle anchors the left edge, while a paler blue rectangle stretches to the right, filling the lower left quadrant.

A small black rectangle appears in the bottom left corner, contrasting sharply with the lighter hues around it. The entire surface is organized by a grid of horizontal and vertical black lines, which intersect at right angles to create a sense of order and balance. The paint is applied smoothly, with little visible brushwork, giving the surface a flat, even texture.

Each color field is sharply defined, with crisp edges where it meets the black lines, emphasizing the clarity of the composition. A narrow band of off-white occupies the bottom edge near the lower right corner, bordered above by a black line and to the left by a pale blue rectangle. The top and left edges of the painting are framed by thin, unbroken black lines that run parallel to the canvas edges.

In the upper left corner, a small horizontal strip of deep blue sits just below the pale blue square, separated by a thin black line. The lower right quadrant contains a large pale blue rectangle, bordered on three sides by black lines and intersected by a vertical black band near its left edge. The black lines vary slightly in thickness, with some appearing more prominent and others more narrow, especially along the bottom edge.

Subtle variations in the blue paint reveal faint brush marks and shifts in tone, particularly in the larger blue rectangles. The work is an example of abstraction, with no recognizable figures or objects, focusing instead on the arrangement of color and line.