Guden Toku Revives after His Funeral and Terrifies a Group of Gamblers — History & Facts
In Guden Toku Revives after His Funeral and Terrifies a Group of Gamblers, vivid colors dominate the scene. The ghostly figure of Guden Toku looms large, casting a shadow over the terrified gamblers. The setting is a traditional Japanese gambling house, filled with tension and fear.
The contrasts between dark and bright colors enhance the dramatic effect of the moment. This artwork is a woodblock print, a popular medium in the Ukiyo-e style. The intricate details in the clothing of the figures and the expressions on their faces are notable features. The composition draws the viewer's eye towards the central figure of Guden Toku, emphasizing his ghostly presence.
The use of line and color creates a sense of movement and urgency in the scene. Tsukioka Yoshitoshi was a prominent figure in the Ukiyo-e movement during the late Edo and early Meiji periods. This work reflects his interest in the supernatural and the themes of life and death. An interesting fact about this piece is that it combines traditional Japanese folklore with the contemporary culture of gambling.
Yoshitoshi's ability to blend these elements showcases his innovative approach to art.
More Artworks by Tsukioka Yoshitoshi

Frost fills the air and the autumn air is still/lines of returning geese cross the moon in the third hour-Kenshin, from the series Twelve Aspects of the Moon
Tsukioka Yoshitoshi

Fukami Jikyu in maanlicht
Tsukioka Yoshitoshi

Looking Shy; The Manners of a Young Girl of the Meiji Era
Tsukioka Yoshitoshi

The Lonely House on Adachi Moor in Northern Japan
Tsukioka Yoshitoshi

Inaba Mountain moon (Inabayama no tsuki)
Tsukioka Yoshitoshi

Omori Hikoshichi
Tsukioka Yoshitoshi

One Hundred Aspects of the Moon
Tsukioka Yoshitoshi

The Saga Incident
Tsukioka Yoshitoshi

Bon Festival Moon (Bon no tsuki)
Tsukioka Yoshitoshi

Preparing to Take a Stroll; The Wife of a Nobleman of the Meiji Period
Tsukioka Yoshitoshi






