Madame Armand Bertin, née Marie-Anne-Cécile Dollfuss — History & Facts
In Madame Armand Bertin, née Marie-Anne-Cécile Dollfuss, Jean Auguste Dominique Ingres captures the subject in a formal pose. The painting features a rich color palette dominated by deep blues and warm skin tones. Madame Bertin is dressed in an elegant gown, adorned with intricate details that reflect her status.
The background is softly rendered, allowing the figure to stand out prominently. The painting is executed in oil on canvas, a medium that Ingres mastered to create smooth textures and lifelike details. The dimensions are approximately 81 x 65 cm, making it a sizable portrait that draws the viewer's attention. Ingres' technique involves meticulous brushwork, particularly in the rendering of fabric and skin.
The composition is balanced, with careful attention to the placement of the figure within the frame. Jean Auguste Dominique Ingres was a leading figure in the Neoclassical movement, known for his precise and idealized representations of the human form. This portrait of Madame Bertin was commissioned, reflecting the social status of the sitter and the artist's reputation. An interesting fact about this work is that Ingres often portrayed women with a sense of dignity and strength, which is evident in Madame Bertin's confident expression.
This painting remains a significant example of 19th-century French portraiture.
More Artworks by Jean Auguste Dominique Ingres

Vénus anadyomène
Jean Auguste Dominique Ingres

Grande Odalisque
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Madame Moitessier (seated)
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Portrait of Comtesse d’Haussonville
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The Source
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Madame Rivière
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Madame Jean-Auguste-Dominique Ingres, née Madeleine Chapelle
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Portrait of a Lady
Jean Auguste Dominique Ingres

Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean Auguste Dominique Ingres

The Apotheosis of Homer
Jean Auguste Dominique Ingres






