A young woman in a flowing red robe sits on a stone bench, holding a small, curly-haired child on her lap. Her head tilts gently toward the child, her gaze lowered in a quiet, affectionate expression. The child, unclothed except for a loosely draped white cloth, looks outward with wide eyes and a calm, direct expression, one hand reaching up to touch the woman's neckline.

The woman's right hand supports the child at the waist, while her left rests softly on her lap, fingers relaxed and natural. A deep blue fabric is gathered across the woman's knees, contrasting with the warm red of her dress and the soft brown of her mantle, which falls over her left shoulder. Behind them, a muted, smoky background sets off the figures, with light falling from the left to illuminate their faces and the folds of their garments, leaving the edges of the scene in shadow.

The artist uses delicate, blended brushstrokes to create the smooth skin of both figures and the soft texture of the drapery, with subtle highlights catching the curves of the child's limbs and the folds of cloth. The composition is intimate and balanced, the two figures forming a gentle diagonal that draws attention to their close physical and emotional connection. The upper left corner of the painting reveals the edge of a stone bench, rendered in muted gray tones and partly obscured by shadow.

The background transitions from a darker brown at the upper and outer edges to a lighter, smoky gray halo around the figures, enhancing their prominence. The light source creates a gentle highlight on the child's curly blond hair and the woman's forehead, while casting the lower right and left corners into deep shadow. The paint is softly blended throughout, with only a few sharper lines defining the folds of the woman's sleeve and the contours of the child's limbs. Bartolomé Estebán Murillo painted this scene in the 1670s, depicting the Madonna and Child, a central subject in Christian religious art.