Self-Portrait — History & Facts
In Self-Portrait, Jean Auguste Dominique Ingres presents himself with a calm expression, dressed in a dark coat. The background is a muted tone that enhances the focus on his face, which is illuminated softly. His features are rendered with precision, showcasing his strong jawline and thoughtful gaze.
The use of color is subtle, with a palette dominated by earthy tones and gentle highlights. The painting is executed in oil on canvas, a medium that allows for rich detail and depth. Ingres employs a smooth application of paint, creating a lifelike texture that captures the nuances of his skin and clothing. The dimensions of the artwork are approximately 65 x 81 cm, making it a relatively intimate portrayal.
The careful attention to detail is a hallmark of Ingres's neoclassical style. Jean Auguste Dominique Ingres was a prominent figure in the Neoclassical movement, known for his precise lines and idealized forms. This self-portrait reflects his commitment to classical ideals and his skill as a draftsman. Interestingly, Ingres often used self-portraits as a means to explore his identity and artistic vision.
This particular work is a testament to his belief in the importance of the artist's presence in their own work.
More Artworks by Jean Auguste Dominique Ingres

Vénus anadyomène
Jean Auguste Dominique Ingres

Grande Odalisque
Jean Auguste Dominique Ingres

Madame Moitessier (seated)
Jean Auguste Dominique Ingres

Portrait of Comtesse d’Haussonville
Jean Auguste Dominique Ingres

The Source
Jean Auguste Dominique Ingres

Madame Rivière
Jean Auguste Dominique Ingres

Madame Jean-Auguste-Dominique Ingres, née Madeleine Chapelle
Jean Auguste Dominique Ingres

Portrait of a Lady
Jean Auguste Dominique Ingres

Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean Auguste Dominique Ingres

The Apotheosis of Homer
Jean Auguste Dominique Ingres






