A marble-white statue of Venus stands at the center, surrounded by a lively throng of women, cupids, and satyrs who crowd the foreground in a swirl of movement and color. The statue adopts a modest pose, with one arm covering her chest and the other hand lowered, while attendants at her feet reach up to garland her with flowers and drape her in golden cloth. To the left, a group of dancing women and satyrs form a circle, their bodies twisting and arms raised, some holding tambourines and garlands, their faces animated with joy and abandon.

A multitude of cupids, some with wings outstretched, frolic across the scene: several cluster at the feet of Venus, others climb trees, dangle from branches, or tumble through the air above, clutching fruit and ribbons. On the right, richly dressed women kneel or sit, their attention fixed on the statue, while more cupids gather around them, some embracing or playing with each other. The background opens to a wooded landscape, with a distant temple and a grotto on the left where a reclining figure and more cupids can be glimpsed, suggesting a mythological setting.

Light streams from the left, illuminating the pale marble of Venus, the flesh tones of the figures, and the vibrant drapery, especially the deep reds, golds, and blues that punctuate the composition. The brushwork is energetic and fluid, with visible strokes that model the roundness of limbs and the lush textures of foliage, fruit, and fabric. Every figure is engaged in gesture or ritual: some women pour libations, others wash or adorn the statue, and many cupids are shown wrestling, gathering fruit, or aiming arrows at each other.

At the lower edge, a scattering of fruit and objects on the ground hints at abundance and festivity. The composition is densely populated and orchestrated to convey exuberance and sensuality, with every part of the canvas animated by figures and festive detail.