A circle of angels and saints fills the upper half, where the Virgin Mary kneels with her hands crossed over her chest, her head bowed as Christ places a crown upon her head. The scene is framed by a burst of golden rays and clouds, with the figures above appearing to float in a celestial realm, their forms outlined by fine, rhythmic brushstrokes that give texture to the clouds and halos. Below this heavenly vision, four saints stand on solid ground, their monumental figures arranged in a row and separated by subtle gestures and glances. The leftmost saint, with a flowing grey beard and a red and blue robe, raises his right hand and holds an open book, his expression animated as if in speech.

Next to him, a bishop in a richly decorated cope holds a closed book and looks calmly outward, while the third figure, dressed in red with a white cap, gestures toward his heart. The fourth saint, also a bishop, wears a mitre and holds a crozier, his hand raised in blessing, his robes rendered in gold, white, and blue. A distant landscape with architectural elements stretches behind the saints, painted in muted tones that contrast with the brilliance above.

The composition is divided sharply between the earthly and the divine, with the lower register grounded in naturalistic detail and the upper half radiant with gold and supernatural light. The figures of Mary, Christ, and the saints, as well as the presence of the crown, book, and cross, mark this as a work of religious art.