A seated female figure dominates the center, draped in a blue, star-patterned bodice and a green skirt, with a red sash falling across her lap. She sits on a cloud, her bare feet resting on its soft, pale surface, while her body turns slightly to the left and her head faces outward, eyes gazing into the distance. In her left hand, she holds a large red book inscribed with golden letters, and in her right, she balances a smaller green-bound volume marked 'NAT' and 'IS'.

Behind the woman, two ornate sculpted columns rise, each topped with a helmeted female head and decorated with classical motifs, lending an air of ancient authority. The left putto strains to lift his plaque, his body twisting and muscles tensed, while the right putto glances upward, his wings unfurled and his hand gripping the sign's edge. Light falls evenly across the scene, illuminating the woman's calm, idealized face and the smooth, rounded forms of the putti, while gentle shadows model their limbs and drapery.

The background is a luminous gold mosaic pattern, which sets off the figures and gives the composition a sense of grandeur and timelessness. Fine cracks and subtle brushwork are visible in the surface, evidence of the fresco technique and the passage of time. The composition is circular, with the central figure forming a stable triangle, her arms and the putti's gestures leading the eye around the tondo.

Small details, such as the delicate gold stars on the woman's dress and the intricate carving on the columns, reward close inspection.