Self-portrait in a Velvet Cap with Plume — History & Facts
In his early self-portraits, Rembrandt often practises rendering light or emotions. By contrast, these later ones are more narrative, because he dresses up in imaginary costumes (e.g. complete with an Oriental sword) or in 16th-century attire.
With the latter variant, he aligns himself with celebrated 16th-century artists, such as Lucas van Leyden, Titian or Raphael.
More Artworks by Rembrandt van Rijn
The Return of the Prodigal Son
Rembrandt van Rijn
The Crucifixion
Rembrandt van Rijn
Rembrandt and Saskia in the Scene of the Prodigal Son
Rembrandt van Rijn
Self-Portrait in a heavy Fur Cap: Bust
Rembrandt van Rijn
Portrait of a Seated Old Woman with Clasped Hands
Rembrandt van Rijn
Portrait of a Young Woman
Rembrandt van Rijn
Portrait of Hendrickje Stoffels
Rembrandt van Rijn
Portrait of Rembrandt
Rembrandt van Rijn
Portrait of the Artist
Rembrandt van Rijn
Portraits of Jean Pellicorne and his Son Casper
Rembrandt van Rijn
