Tarquin and Lucretia — History & Facts
In 1610, Peter Paul Rubens turned to one of ancient Rome’s most shocking legends for inspiration—a tale so powerful it was said to have toppled a monarchy. The story of Lucretia’s violation by Sextus Tarquinius, son of the last Roman king, and her subsequent suicide, ignited the revolution that would end the Roman monarchy in 509 BC. Rubens’s version is among the earliest large-scale treatments of this subject in the Baroque era, and it stands out for the sheer physicality and emotional intensity he brought to the scene.
The painting’s dramatic energy and raw emotion would soon inspire other artists, including Rembrandt, to tackle the same harrowing episode. Rubens captures the moment of violent struggle: Tarquin, clad in armor, lunges forward, his hand gripping Lucretia’s wrist as she recoils in terror. Her white chemise slips from her shoulder, a stark symbol of violated innocence, while her other hand desperately pushes against her attacker’s chest. The rich, swirling drapery and the play of light across bare flesh heighten the sense of danger and vulnerability.
Unlike earlier Renaissance versions, which often showed Lucretia alone at the moment of her suicide, Rubens chooses the instant of confrontation—forcing the viewer to confront both the brutality of the act and the courage of its victim. The tension and dynamism recall the theatricality of Caravaggio, though Rubens’s figures are more muscular and animated. The exact early history of this painting remains uncertain, as records from Rubens’s Antwerp studio in 1610 do not specify its first owner. What is clear is that Rubens’s treatment of the subject became influential, and he would return to it in later years, producing at least one other version now in the Hermitage.
The painting’s bold handling of myth and history marks a turning point in Rubens’s career, as he began to explore ever more dramatic narratives. Today, Tarquin and Lucretia stands as a testament to the artist’s ability to fuse classical themes with the emotional force of the Baroque, its power undiminished by the centuries.
More Artworks by Peter Paul Rubens

The Coronation of Henri IV
Peter Paul Rubens

Portrait de Marie de Médicis
Peter Paul Rubens

Apollo and Daphne
Peter Paul Rubens

Anne of Austria, Queen of France
Peter Paul Rubens

Bacchus and Ariadne
Peter Paul Rubens

Christ on the Cross with Maria, Mary Magdalene and St John
Peter Paul Rubens

Equestrian portrait of Charles Colonna, Duke of Marsi
Peter Paul Rubens

Hippomenes and Atalanta
Peter Paul Rubens

Perseus and Andromeda
Peter Paul Rubens

Meleager and Atalanta and the Hunt of the Calydonian Boar
Peter Paul Rubens






