A radiant yellow and white halo surrounds his body, sharply contrasting with the stormy, darkened sky that fills the upper half of the painting. Blood streams from the wounds in his hands and feet, painted with fine, precise brushwork that highlights the drama of the moment. Below the cross, a woman in a flowing orange cloak stands to the left, her hand gripping the upright beam and her gaze fixed upward toward Christ.

Her expression is solemn, her features softly modeled, and her garments rendered in layers of ochre, white, and blue, with the folds and textures of the fabric painted in broad, sweeping strokes. The figures are arranged in a tight vertical composition, with the cross dominating the center and the mourners forming a stable base at the foot, their bodies angled inward in a triangle that draws attention to the crucified Christ. In the background, a distant cityscape with domed buildings and towers stretches across the horizon, painted in cool blue and green tones that recede into the misty atmosphere.

Heavy clouds swirl above, their forms painted with loose, energetic brushstrokes that add to the sense of turmoil and drama in the sky. The surface of the painting reveals a subtle texture, with areas of thin, translucent paint in the sky and thicker, more opaque passages in the figures' clothing and the cross. The play of light is carefully controlled: Christ's body glows with an inner radiance, while the mourners are cast in softer, more diffused light, their faces partially shadowed.

The palette is dominated by earthy reds, oranges, and browns, set against the cool blues and greens of the landscape and the stark white of Christ's halo and loincloth. Small details, such as the nails in Christ's hands and feet, the delicate strands of hair, and the intricate folds of fabric, are rendered with meticulous attention.